皮囊第七季

一天兩季的節奏，刷完了皮囊，停不下来的想要看完。

第一二季的時候喚起了好多關於大英國的回憶，依然像藏在心底的真愛一樣，對其無法釋懷。

第三四季出現了全劇最愛的一對couple，Naomi和Emily，經歷了出柜以及後來的各種shit，最終還是毫無懸念的在一起了，只是吵闹分和的过程实在让人揪心的虐。特別讓人安心的一對兒，覺得不管發生什麽她們都不會分開。尤其是第四季第二集裡面的兩機車少女簡直是全劇最愛的一段！

第五六季不太喜歡，第三屆小孩裡面，Franky的逆襲簡直不能接受，太突然轉變太大。Mini簡直就是美劇誤入。男生們也很pussy，Cook就是American Pie里面的Stiff。

第七季，孩子們長大了。後媽編劇讓Naomi得了cancer。。。虐哭



过了两天了，还觉得陷在剧情里面无法自拔。虽然高中生活没有剧中那么颓丧的drugs啊叶子啊party啊，但是也够混乱了。比起美剧中那些高中生，skins孩子们的高中才是真正的青春！

Effy's going to jail, Naomi's going to die, Emily's going to be even worse than death. Most of the viewer of the last episode of skins, cannot cope with tragic endings like that, including me at least for a while. For me, personally, it's not the death or prison that bothers the most, it is the non-dramatic way of telling almost nonchallently, of the most tragic ending that one can think of is happening right in front our eyes while pretend not a big deal of it. Instead of showing meanings to us, all is simply impled by. Those viewers seek for some kinda closure of the whole skins series aren't gonna get it, for there left so many lose ends; those who hope for drama aren't gonna get it, disappointed by its realistic telling of dramatic event and its anti-clamax of an ending; Those who expect twists and turns would surprise and flip at the extreme lack of it. Despite all that, we should decide to love it, after all that is the end we get in life.

The first thing needs to be clarified is that television becomes no less inferior than literature these days, at least for some good television shows like Skins, it is true. A fact we need to come to terms with. And as no sensible readers would curse the writer and demand him to rewrite an ending that he doesn't like, television is not an negotiation as well. For those who think it is, well you are so self-involved to hook on the delusion of it. That's the sole lie the life-shows nowadays are depending on you to believe, a conviction that the power's in your own hand. For Christ sake, what a convenient flattering that is! As sensible viewers, we see right through it, we accept what we got and try to appreciate the beauty of it.

After all, Skins fire. As the title suggests, it is about lights, destruction and rebirth. And a terrible beauty is born. Adulthood is such a terrible beauty. Especially for Effy, once aloof, indifferent, omniscient goodness in her little circle, washed by fire, and reborn into human. Of course, there's some sacrifice along the way. So walking out of paradise full of drugs, parties and hormones, here she is, taking three steps of becoming human as we know it.

Step one, compassion.
"I want to feel something, I want to be hurt! Come and hit me!" The girl ran into the middle of the street and exclaimed a death wish in front of world. That's near the ending of Effy's teenage years, almost the last we see her. Since then, apparently, the wish has come true. In fire, we see Effy's feeling, invisible as it always is, all over the place. The way she bites her finger nails watching Naomi on stage doing shitty comedy and being laughed at, the way she cries when being yielded at the truth of Naomi's illness, the way she goes blank hearing the doctor said the drug doesn't work and the way stares Naomi lying on the CT scan thereafter runs out of room, and the way she panics holding Naomi in her arms puking all over the place-- we never have seen Effy going through all levels of emotions before, not merely for herself, but for her best friend, for Naomi and Emily. With herself, she can be tough, takes it on her own: "I am fine", when Naomi asks she used three words as such to conclude it, even if she's not. Far from doing nothing, as Naomi accuses her to be, she's doing everything she could to hold it together, being tough for her, can't stop feeling for her but has to conceal it for her. That is not sth she told us, That's sth we sense. For those who love Naomi and Emily with such a bias to take in everything they say, myself included, might look beyond the surface and see they are blocked by own individuality as well. In fact, compassion is all Effy is in fire, "she has such big love inside of her, just needs to be let out, and the possibility to let out scares the hell of her" Effy's mom knows her nature well. Well, at least she smiles at the end, typical Effy smile, as if to say "you don't know me at all", or maybe this time, it says: "I can feel after all, i feel something". Compassion we know that is what makes us all human, and from the moment she feels it, Effy is no longer mysterious and inappoachable fairie, she is one of us, human.

Step two, mortality.
Naomi's death really provided an occasion for mourning, mourning for the beauty being tragically destroyed. It is sad, true. But it is sensible, as we consider it. After all it becomes a tradition of skins, to kill one favorite character at a time of generation. And for generation 2, Freddie is definitely not the most favorite one. It is the thing had between Naomi and Emily that makes the most wonderful thing that the make-believe world of skins had created for us. And let's face it, the most beautiful thing as it always, is irreplacable. There's no carnation for that, no reborn in it (as they are lesbians) therefore, it is immortal. This is the reason they can't survive the mortal world of adulthood. One of them has to be destroyed, and the other along with it. And as if killing our favorite couple isn't cruel enough, Effy needs to witness and learn from the tragic of all this, to see the only positive unyielding love that exists in her past world being worn out by an incurable disease of mankind. From the moment her best friend told her the illness, Effy knows it's gonna go down like this, she knows it too well, so she can't stand watching Naomi pretend like nothing and make fun of herself in a comedy, yet she complains in the most minute ways, pissing Naomi about the rent which essentially means the burden all weighs down on her- she needs to be the rock, and it's fucking hard. Neither can she offer comforts to her like innocent Dom, cause she knew it better, the truth hurts so much that she can't fathom a way to act it otherwise. Again, like I said, Mortality takes its toll, for Effy, it is the farewell paid to the old world of her past with Naomily in it, a burning ritual she has to experience descending to the world of works in her fantasy, a brave new world of men. And Naomily is the sacrifice, given that Homosexuality implies in literature a longing for death in itself. The poet and beauty must die, so the rest of us can keep on living.

Step three, helplessness.
At times we can't help but wonder why things always go terribly wrong with Effy, no matter how fucking together they all seem in the first glimpse! The onmiscent soul of this childhood circle stumbles way out of their idealistic small world and find she's merely a tool used by more onmiscent forces way sophisticated than she is. Helplessness is the condition of humanity. It breaks her charm, make her helpless. Emily says: "We idolized her." Cook's fucking Dad: "You are too pretty for your own good, that's why you destroy everything you touch." Such are the contrast between surface and core of Effy. Lights and destruction all sealed in one, waiting to be born. And in skins fire, it burst alive. It is interesting to note that in retrospect, everyone around Effy ends in various tragic ways: her parents separated, her brother got hit by a car, Freddie got killed and Cook went down for his revenge, and we thought Naomily is the only exception for they are special, how naive we are! There's a certain helpless gravity for tragic in Effy that makes her so appealing and at once so heartending. It almost seems nothing stays with her, under circumstances like that one almost certainly can't help but hold itself to blame. God knows how she serectly took the fault herself for all lost in life! In front of the mass of life, for the first time, we see her had no clue about what to do? It is Naomi in sick bed push some sense in her again, "Seriously what do we got, Effy? Well, I am going to die, what you gonna do? " That probably reminds her who she is and should be. After that, we see her picking up Emily at airport, possibly she called her up and reveal the truth as she should in the first place; then she made deal with victoria to tell on boss under sole condition that dom is untouched. She made the right choice eventually, as she used to be. Better late than never, taking responsibility for what she did like a fucking adult. It takes her edge off, which still makes me angry, not at her, but at the fucking real world of ours that rounded with such a flame in the first place. Yet the most helpless as it always was in Effy is the fact that she has to play the help all her life, which means no one helps Her, that she is truly THE most helpless one. That leads to off-putting love affair with her boss. But seriously cut her some slack, please. Leave aside the fact that boss is adulthood look-alike of Freddie, probably an unintended happy coincidence, she's lonely, and extremely so after a load of pressure landed on her, taking care of best friend mentally and financially, watchig them being happy and all that. What do we expect her to do, instead of cutting herself and going mental in the bathroom, isn't it much healthy distraction to find a man to love and entertain a little fantasy that somebody got her back? Dom and Boss, she picked the one who pays her rent, so that Naomi didn't have to. And that, for me, makes character of Eff, most lovable and lamentable beyond all.

The Effy who used to smile her mysterious smiles that says "you don't know me at all", still smiles at us in the end. Is it sort of mock or self mock? for many a thousand viewers shall this, her mock, mock out of their retardness after seeing all she went through still don't see who the hell she is; mock herself from dreaming our world to be hers therefore making effort to it; mock grown-ups down, and others yet ungotten and unborn that shall have cause to curse the city that bereaves her Eden and beloved from earth.

Skins fire comes to an end. The followings, in this order, comes pure and rise. It is interesting to note that in the trailor the order has been rearenged: it should be rise, fire, and pure. That is to say the actually serie begins in the medres, classic order of story telling. And it should be expected to return to rise in a circle, suggesting to a eternal reoccurrence of the proccess. Therefore, we have reasons to believe fire is the brutalest one, perhaps things would pick up tone a bit: in pure, it might smooth out a bit, going for depth; rise probably going to be full of struggles but worth it. But eventually, as the trailor so artisticaly hints at: three individual under one skin, going through phases, transforming into one another's life. Step by step, we walk out of ourself, into hers, into his then eventually back to our own skins. All change and changed utterly, a terrible beauty is born.

Effy the same, others the same. As skins season is back, the same somehow is and isn't the exact description giving the circumstances do change as they always are.

 

There's always an Effy and the other in one's hearts. This is one thing doesn't change. Effy sits quite deep in thought in the middle of a room of the wasted, indifferent, independent the Effy who is observant and insightful of nature of things, and always sides with the truthful ones: friends with Naomi of the justice, with Pandora of the innocent, when everyone shuns in one way or other JJ's honesty, Effy is the only one that embraced it and returned with the same. Now though grown up, Effy still Effy, accasionally rises in defence for poor dom, spitting fire to the mean malice forces. She always stands up in moment like that, moment that a rightful decision need to be made, and on behalf of others and herself, she always made it right. Or she thought she did, with so much convinction that bring us all on board.

 

The others around her are necessarily complimentary reflections of the multiple facets in the same person. It's no surprise Naomi's now in a bad shape because she stays who she was, after all she's never been the normal kind of smart anyway, she's smart the way Effy is, her judgment piercing through the essence of things, tearing off masks faked by Effy and Cook, and love for who they really are behind the walls, the vulnerable Effy and tender Cook. She even shares Effy's fear, fear for true love that would hurt and kill, therefore she cheats on Emily the same way Effy fucks Cook instead of Freddie. For the unmistakenable alikeness, no wonder she and effy becomes close.

 

Yet it is their distinction that sets them apart. One of unyielding, the other flexible. The real world tends to favor the latter and leave the former beaten down, as it turns out. I am not sure which one should be accounted more lucky though. Probably sharing my doubt, there is Effy struggling in deep water, shifting between dreams and reality, between crazy dancing floor and big bad world of work. The fancy dance sequence is just a form of ideas, not necessarily happened for real, given that it's highly unlikely that she would still have streighth to go clubbing after an exalting day of work. But we have to give it up for that gesture, a hint at where she came from and still wanna be. Same old Effy, still the same, never change. But the brilliant of the show is how the inside struggle is subtly concealed. Instead of the cliche of pouring out emotions to appeal to the audience, it only suggests to mass of a turmoil underneath a tip of iceburg that being shown. "No one breaks my heart" is what Effy used to say. Rather it could be rephrased: no one sees my heart's breaking. The girl who thinks she knows it all but at times gets herself in situations she couldn't possibly handle. And this time again, she's slipping into a sprialing down without forseeing it.

 

No matter how Effy's story ends, it is about time. Time to have an end. Those young crazy and rebelious kids, full of attitude and character, coming to age, face their ends. It's better to end them tragically. After all, skins is all about dark and twisted. What is more beautiful than the beauty being ruined. The ruined beauty lives forever. Effy Stonem and the other, under one's skins. My skins.

不是最早看skins，却也看了五年了，也是追过最长的一部剧了，也是看的第一部英剧。
记得第一次看这剧的时候，心里直呼，英剧竟然尺度这么大，后来才懂了一个别人讲的道理“英国面前，美国只是假开放。”
记得一辆公交风驰而过，将tony和他未讲完的话撞飞；
记得手里拿着水枪和药，在山顶公园长椅上翩翩起舞，想要自杀的cassie
记得"傻乎乎"的sid唱着wild world
记得chris和jal的生死恋，葬礼上的"Fuck It"
记得在纽约街道上奔跑的cassie
…………
记得依着门，却拉着手的naomi和emily
记得不屑世俗的cook大魔王
记得effy马路上对着呼啸而过的车辆大喊"I'm not afraid"
记得naomi的那句"I love you so much that it's killing me"
…………
记得rich从重金属到和grace的小清新
记得liv的种种辛酸，怒扇mini，和rich在grace墓前的蹦蹦跳跳
记得rich听到孩子啼哭声的那句"bye"
…………
现在，
看见两人在医院外，两个相依，只能听见风声和雪的声音
看见emily卷着身在naomi怀中哭泣，看见effy一个人背着墙流泪
然后看见从泰晤士河放眼望去的冬日伦敦景象
看见了和第二季结束一样effy神秘的一笑
…………
看见cass再也忍不住，落泪
看见cass那一张张美翻了的照片
再也听不见cass的wow，取而代之的是低压着的背景旋律
看见cass从父亲手中接过rueben
看见cass坐在伦敦公园的一把长椅上，就像布里斯托尔的那把长椅上
…………
看见cook手上那个cook的纹身
看见犹豫不知是否跳进泳池的cook
看见cook的嘶吼大喊
看见举枪不定的cook
看见最后在雪中越走越远的cook

直到最后一片白芒的雪
skins的词打在屏幕上，不再是黑屏后再出现的制作者名单
不是每一季结束后的演员名单
再上tweet上看看，E4的背景图片也已不是skins的宣传照
我才想起
skins真的就这样结束了

我爱skins，不论哪一集，那一代
记得刚看skins时，我什么都不知道，也不知道做什么
现在，有了目标，有了理想
不是想说“skins改变了我”之类的话
只是想说：Skins,见证了我的成长
或许这就是我喜欢看英剧的原因
当我多年以后的某一天再翻出她来看的时候
我会回想起当年的我有何感触，生活又是怎样
skins正是我对青春的一份寄托
累的时候，乏了的时候，可以拿出来说，她陪伴过我的青春
或许有些矫情
时间真的在改变我们
想想当初看skins我们的感受，现在呢？
想想当初看skins我们的模样，再看看现在。
不过
time's changing everyone？
NO
time HAS changed everyone.
AND more
time's still changing everyone
and
bye

个人觉得，effy没变，naomi也没有
  well，骨子里来说是这样的
  effy性格里的特点，迷茫、渴望爱、野心勃勃、聪明伶俐、心高气傲，在fire里都被保留并且扩大
  她是成熟些了，青春期过后走上社会，一套套职业装穿在身上相得益彰，待人处事官方得体，自信两个大字明明白白写在脸上
  本质上真的有变吗，回顾一下，一开始她就是个小秘书，但她心里其实一直不甘寂寞想要上位，才会默默在家里下功夫，结果职场人心叵测，买了炮仗给别人放了，那个别人还因此被上司大加赞誉，心里就更不能接受了，她是effy啊这对她来说简直是耻辱，从那之后她内心的欲望就愈发强烈，想要打败vic打败所有人摆脱loser境遇摆脱白痴同事jane
effy不就是这样吗，不服输，以前表现在永远一副'i dont care'的样子，表现在对fred的强烈占有欲上，表现在凌驾于一切的姿态上
  还有对感情，很多人抱怨fred一点都没有被提到，effy怎么可以move on so fast，我们想象中effy应该是一蹶不振的，可那还是effy吗，从最一开始她就是最会掩饰自己感情的人，可能因为家庭跟其他种种因素，她渴望爱又极其怕受伤害，把脆弱都藏在心里，表面像个没事人，所以我们看到她爱着fred枕边却是cook，所以她在社会上被欺负了也不会吭一声
  她能够表现的这么漠然应该也不奇怪了，而这一次，也还是装的而已，她对fred还没有完全放下内心深处还留有那么一块位置
  导演想要告诉我们这一点的意图不能再明显了——找了个这么像fred的人来演上司
  开始jake给了她机会，让她看到希望，让她大展身手，让她感受到自己是被信任被赏识的，内心的那颗种子开始膨胀，踏上不归路
  直到最后她自首时说“i thought it was real”，她对jake是动了真感情了，不止是借他上位跟他上床，effy每一次被naomi搞的心烦意乱都去找jake寻求温暖，看到jake为了公司的事烦恼会心疼，动了真情她才会被骗被利用，随便哄两句“you are brilliant”就上了钩，为爱为欲望奋不顾身铤而走险
  可怜的dom，也就是我们常说的“屌丝、备胎”，在这时候就被“女神”利用了。典型的高智商低情商IT男，卑微的爱着effy，深觉自己什么也不能给她，就毫无原则得泄给了她两次金融机密，让effy越陷越深也让自己作茧自缚。
  effy对他不能说一点感情都没有，她在歇斯底里的时候看到对面认真工作的dom，立刻平静下来，dom对她来说是温暖可靠正能量的，naomi发病的时候她求助的也是dom不是jake，要说dom缺在哪里，（缺了张fred的脸）缺在镇不住effy吧，实在太软
  从effy的所作所为还有她的结局来看，她并没有成长多少，太嫩，还是那个蠢蠢欲动不甘寂寞的少女，还是会在酒吧舞池里放纵自己以求解脱的浪子，还是表面云淡风轻内心七荤八素的effy，只是社会压力职场压力下，披上成熟的皮囊and seems tough
  最后在警车里，她笑了，我觉得是如释重负，自己活得这么累身边的人和事这么shitty，每分每秒都绷紧神经过活，终于他妈的了断了，终于他妈的解放了。同时也同意吧友“汀汀555”的说法，牢狱之灾对她来说并不是坏事，是重生，是真正的成长。这一次，她会好好看清自己，effy，她会脱胎换骨，重新做人。
 这是skins留给我们的effy，多年后的effy，不尽如人意但真实，成长不是一蹴而就的，即使是对聪明绝顶的effy来说。
  
  

  再来说说naomi，三四季里优秀而正能量的她，在fire里成了useless stoner，落差确实很大，什么改变了她？
  什么都没能改变她，她的正义凛然她的坚守原则她的孤独跟倔强，不都好好地放在那里吗
   不管什么场合不管你是哪个大人物，让老娘陪笑怎么也做不到，你们这群人就是disgusting，你堵住我的嘴我也要说我也要大声说，就他娘的一辈子看不惯你们，老娘偏不尿你们这壶，Fuck you all.
   跟世俗的格格不入，让她选择了单口相声，那个“shit hole”处在社会最底层，几乎跟社会脱节，每天来的都是些不如意的loser，看似毫无逻辑，但或许只有这样的工作，naomi才愿意去做，说说三俗笑话也比被社会磨平棱角要好
   如此强大冷酷的现实，都没能够动摇naomi哪怕一点点，难道不值得钦佩吗，难道没有看到她竞选学生会主席时的倔强跟正义吗
   可就因为她太脱俗了，反被现实抛弃了，她就是那个在理想跟现实中踩空的人，不知道skins原创们是不是要告诉我们这个道理，才硬生生的把她写死了，“一个完美理想主义者一个坚守原则不趋于世俗的人终将枯萎”？ 这他妈就是skins精神？
   想让我们了解现实接受现实，大可不必这么偏激，我们看到她交不出房租看到她生活靡乱烟酒不离手就已经够了，癌症只是迎合“skins每季死一个讨人喜欢角色”的最拙劣的手段吧
   不知道有没有人跟我一样，会去想emily的感受，上帝把所有困难都放在了naomily面前，同性恋、异地恋、死亡，前两者都没能够拆散她们，但她们斗不过死亡
   真他妈难，爱一个人真他妈难，emily崩溃的那一瞬，我也崩溃了，naomi，她的至亲至爱，is dying，是不是太残忍了，若naomi去世了，emily要承受的是比死还痛苦的东西，想来都倍感心疼
   一直以来，naomily这对CP就被人寄托了无数的爱与希望，无关乎性取向，相信都会被她们感染，勇敢去爱并珍惜眼前人，这是她们影响我们的，也是编剧夺不走的
   面对这样的结局，除了安慰自己就当第七季没发生过，也安慰自己naomily其实并不存在，她们是我们想象中的最完美的情侣，pure and intense，这样一来，她们永远也不会死，活在每个人心里，继续做那对模范情侣。
 

五六季只强忍着看了一集，受不了爆炸头和异装癖这些小losers的中二生活，觉得简直是蠢。
无比想念爱翻白眼儿的Michelle和到处打架的Cook，想念Tony的裸体床单，想念Cassie说「lovely」时候的笑，想念第二季结束时葬礼上的礼花，想念Cook的小虎牙和Effy的蓝色眼睛。

然后有一天，听说你们长大了。

【DUST】
开头，Effy被女主管吆来喝去盗用idea的时候，我一丁点也不同情她。因为我知道这是Effy，她会用她的方式让所有人payback。
于是我十分欣慰并且不出所料的看到了Effy利用追求她的小矮子的数据倒卖股票当上了优秀交易员，并且成功的搞上了大boss搞走了女主管。
长大了的Effy一如既往的所向披靡四处通途，似乎能让人忘记了她曾崩溃在阳光下的草地上，把自己反锁在浴室里手腕上的血铺满半个地板。
她有了车有了司机，有了租伦敦大公寓的钱，Naomi看着她陪客户赌博时年老的客户搭上Effy肩膀的手说「你竟然不觉得恶心」时，Effy终于融入了这个成年人的世界，金钱，股票，期货，债券，伦敦金融街，男上司，老客户。
只是Effy的眼睛还是那么蓝，她不明白这不再是那个她仅凭自己就能压倒一切的世界，这个世界里，有欺骗和利用，也有法律和规则——尽管可笑，可是你得遵守它。
其实我没想到这个故事会这样结尾——我是说从金融街开始——没有想到那个谁都瞧不起的女孩会乖乖的变成一个交易员，我有那么一丁点儿想念曾经cares about nothing的Effy，尽管我知道这可能才是合理的结局。
至于最后Effy的熟悉的笑容，虽然看起来没什么不同，但是总有些什么是再也找不回来了的。这话是废话，但是我找不到更好的表达。
这次她没赢，真令人沮丧。那个queen一样的Effy竟然没赢。
flame to dust，好像游戏里的利剑拿到现实世界只是一串代码，这另人沮丧。

【FAME】
如果说有什么比Effy成为交易员更让人哭笑不得的，那大概就是Cassie成了咖啡厅女招待吧。
她穿着暗蓝色的工作服，头发梳了起来，住在一栋乱糟糟的公寓里，甚至跟别人说「我不怎么抽烟」。
不知道为什么，我一直对Cassie在刚出场时手腕上当作手链来戴的一个大兔子塑胶发圈念念不忘，好像是粉色或者橘色，款式就是中国的街边小店里最常见的那种一个塑胶的兔子脑袋。Cassie戴着那个发圈，胡乱的往嘴里塞illegal的药片，她站在长椅上，假装要飞起来，她冲所有人笑，说「Safe」和「Lovely」。
那是我在头两季中最喜欢的角色，我不知道她为什么能那么美好而无辜，就像她衣服上的小鸭子和手上的发圈一样。
虽然如今，她只是将「我曾经试图将自己饿死」一笔带过的当一件奇闻异事讲出来。
而她在想要逃离海边的狼狈的父亲的同时，也在逃离曾经那么狼狈却美好易碎的自己。
于是再没有听到她说一句「Lovely」。
也开始有男人为她打架了，也开始有人注意到她的美了，我不合时宜的想起来Sid，Sid你还记得Cassie么？
我总幻想着Cassie在街头能遇到谁，Tony，Michelle，或者Sid。
或者Sid。
我大概还是那种学不会明白旧日情怀都是档案馆里的碎纸片的人，拎出来看可能会沾一手灰，并且并不能够继续。
Cassie一句话带过的东西太多了，好在她还是会站在窗口，假装要飞。

【DOWN】
Cook是我一开始特别讨厌的一个角色，不知道为什么，就是讨厌他，看见他就想按快进。
后来有一集我忘了什么前因后果，Naomi跟Cook说「You just live a bit harder than everybody else does」，于是我很没出息的又看剧看哭了。
可能讨厌Cook是因为我在他身上看到了自己的影子：因为太在乎所以怕遭遇伤害与背叛所以装作什么都不在乎，最后搞得大家都讨厌他的什么也不在乎而让他陷入新一轮循环那就是索性把事情搞得更糟糕，到最后明明全身心的碎的七零八落却还是一副so what的样子。
a bit harder，哈，a bit harder。
我唯一觉得让我满意的结局，竟然在Cook身上，终于看到他露出了「I care」的神情，终于看到他选择了一次逃避，然后是闷闷的英腔画外音。
我知道你不会再把事情搞得更糟，我知道你终于有了恐惧。
其实想说一句特别矫情的话，有了恐惧，也就有了爱的能力了不是么。

于是血肉横飞的现实世界，狠狠地甩给中二病们一记响亮的耳光。