喂!小咚电影免费高清在线观看全集。
A miracle independent film capturing the growth of a single baby over a period of 3 years. The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion. Directed by OKITA Shuichi, known for films such as "A Story of Yonosuke” and “The Fish Tale”, the movie is a self-produced project featuring OKITA and his actor friends, documenting the life of his own daughter from 6 months to 3 and a half years old. Shot entirely with a handheld camera, the film captures the heartwarming moments of Don-chan's growth and the challenges faced by the three men in nurturing her. The film was also shot on location in Ueda City, Nagano Prefecture, where Ueda Eigeki, a local theater, recommends the movie. Don-chan's growth is complimented along with the picturesque scenery of Bessho Onsen and Sugadaira Kogen. The heartwarming world of OKITA Shuichi, where drama and reality coexist in a mysterious harmony, unfolds throughout the film. From a crying infant, Don-chan grows to a point where she can speak her lines, and everyone's affectionate watch over her brings warmth and comfort to the viewers.
舌尖上的世界当我们做梦时第六感(原声版)骨肉之躯第一季街童火线追凶2之黑色玫瑰阿南是小情人!?性感女特工少女妈妈 第二季玻璃少女黑暗资产十万火急粤语版赢取女孩伍德布鲁斯的异想天开之旅脱稿爱情音乐之乡第四季暮年困境我们在黎明骑行夫妻密码白蝴蝶思维游戏井冈山古战场传奇第四季偷偷爱着你2011反常2015异变暴龙老妇人消消气第二季两个伊莲娜隐匿于冬2019年夏季篇~夏天也冻得要死~釜山行2:半岛子时杂货铺捉妖学院弗吉尼亚·麦肯娜回顾《生来自由》我是古巴凤凰城等着你我心里的那家伙破晓徂徕山简爱之约孟买日记逃之恋萨帕塔传生死与轮回
很可爱温暖的一部,在东京下高井户电影院看的,还有冲田导演的映后谈,开心🥳
有很多《火花》和《横道世之介》的影子。虽然看起来像用手机拍的家庭录像一样的东西,好几个场景的处理让人印象极为深刻。
(可恶,又在骗我生女儿啦🤗)养娃日常与演剧人生的相互交织,浓厚而松弛感十足的生活气息(尤其水族馆和露营地两场戏),可爱的咚酱好似幸运天使,把大家都带到了顺利的轨道上来。一些迷影梗令人会心一笑。喜欢的三处情节:咚酱哭醒后四人一起看电影;第一次听见楼下咚酱的哭声与尾声看到咚酱从路口进来;最后其中两人搬家搞得“生离死别”一样结果根本没搬多远🤣
普通に、のびのびと、優雅に生きる。JFF+ independent cinema 2023
足够真诚的老套 = ♾️无限可爱(片尾咚酱彩蛋不要错过!😭
怪可爱的
可可爱爱女儿
比起精心构思的镜头 不小心拍到奇迹 对导演对观众都是如有神助的体验
4+ 林克是生完女儿找一帮人来演,冲田则对焦到自己女儿完成客观到主观的挑战,在一切不可控(想起陈翠梅说不用自己儿子是怕片场双身份难控)、也充满可能性的阶段果断出发,既是对三年时间的注视,也是家庭私影像。在赤子的领域里,没有纯粹的演绎,初接触的慌张、换尿布和喂饭配合的熟练、去公园游玩的乐趣,外表下包裹着真实的时间流动和亲密变化,道夫的理念感染坂本亦如是,剧场成为一个注脚:故事登上舞台,电影作为原型/“真实”实现后撤,宣告它真挚的感情内核。遗憾是,或许作为冲田的取味,关于弃婴/托儿问题、男性照料婴儿的困难(照料者的时代变化)、三个父亲的署名权,这些相关议题都被略过了,用咚酱一句“就这样也挺好的”化解(道夫面对母亲复归的错位感也很有意思却没有深入),但作为现实递进线,观看过程又避不免想到这些B面。
三個男人一個娃,導演蠻喜歡PTA