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What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.逃生摩天楼长安诡事之血藤毒虫刺客聂隐娘去有风的地方血战纳尔维克南街奇遇坎农铜矿杰克·泰勒第三季办公室第六季保镖犬大B开心点，糟老头列神记Ⅰ丧尸乐园众生平等我家有喜黄油大赛颤栗汪洋我欲为人第一季REAL恋爱杀人搜查班策马狂奔无罪辩护胭脂杀手1983致富攻略一个少男的传说上海1920 上部东方快车谋杀案20174400 第四季环游地球八十天气球2018环球神奇度假屋第一季无尽列车第一季我的富爸爸你好，我们是欢喜天团大师与玛格丽特亲爱的爸妈乱来!我居然会成为社长911事件簿美国杀人魔2龙威小子2乡村爱情7妈妈不再摇滚甜蜜的季节大日子末路狂奔国语版
What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.逃生摩天楼长安诡事之血藤毒虫刺客聂隐娘去有风的地方血战纳尔维克南街奇遇坎农铜矿杰克·泰勒第三季办公室第六季保镖犬大B开心点，糟老头列神记Ⅰ丧尸乐园众生平等我家有喜黄油大赛颤栗汪洋我欲为人第一季REAL恋爱杀人搜查班策马狂奔无罪辩护胭脂杀手1983致富攻略一个少男的传说上海1920 上部东方快车谋杀案20174400 第四季环游地球八十天气球2018环球神奇度假屋第一季无尽列车第一季我的富爸爸你好，我们是欢喜天团大师与玛格丽特亲爱的爸妈乱来!我居然会成为社长911事件簿美国杀人魔2龙威小子2乡村爱情7妈妈不再摇滚甜蜜的季节大日子末路狂奔国语版
瓷砖……
想要折叠时间和感知，不好做啊。努力拼接和放大还是不够，目前还是很私人的影像，传达无力
使用16mm拍摄的“现在”和一些古老的archive影像结合在一起很合适。时而小资，时而有回忆和情感的怀旧，时而有些对建筑纹理结构痴迷的形而上，很温柔，也微微地忧愁。但考虑到纪录的本质，这一切单纯的美感不知指向何处。
美美静物拼
宣传片敢这样拍👍
2019年8月去参观的
蛮羡慕的，理想的状态
从一只长脚蜘蛛开始，像是建筑纪录片，又好像不是，多了一分神经质
還算是美的
综合来说这部片子其实就是Villa Empain这一场所的委托项目-导演Katharina Kastner的实地拍摄以及大量应该是由场馆本身提供的历史资料。片尾的文字解释了此场所的历史变迁以及其功能扮演作用等等，但在此之前我已经猜到差不多了。像历史状态时平台晒日光浴的女性用的静态图片，放映胶卷时尺幅和特地放大的机器噪音，翻阅的旧剪贴簿与笔记一系列的提示。导演将所捕捉到的场景比如在户外观看场景的全景和各种物品的材质细节交织。显而易见这部片是关于诠释这个场所的状态的它历史状态它现时的状态。也有很明显的提示它是作为一个当代艺术的承载场所：来往参观的人、installations、驻地艺术家（特别是驻地艺术家本来就是要和场所发生紧密联系的）。场所承载了时间的变迁、状态的更改、参与的生命。以及也算是成
Mubi. 真美啊。
2.5 非场所
标记
#MUBI#
建筑、历史。
光、风、水，事物在摩灭中显现自身。
mark入院出院以来第一部看完的电影。完美的通感电影，看到（听到/触到）头皮发麻。时光之脚步妙不可言。
美学通感电影，美就完事儿了
75/100 @MUBI
恩潘别墅（Villa Empain）是埃潘恩男爵在比利时布鲁塞尔的住宅，1934年完工，三年後捐赠政府，先后被用作博物馆、德军征用、苏联大使馆和电视台租借地以及废墟，直到2008年才进行改造成美术馆。这些历史背景组成别墅过往的时光，生成记忆空间，用塞尔托的话来说，“记忆是一种反博物馆；位置是不确定的。”因此影像就是对世界的某一个“地貌”（topos，纪录片里用的海岬，海浪涌进岸边被锈蚀的礁石）的怀旧与其各个组成部分（修辞）联系起来。從过去组成的图像萦绕在这里，通过16毫米镜头拍摄的画面就像铅笔在空白纸上的摹写，聚焦於室内大理石上隐藏的图案，或用来装饰房间的木材纹理。花园里树叶的起伏以及水晶窗帘彩色虹光的运动，混合时间与触觉，强调着色彩的联系，闪回别墅曾经是废墟的样子，还有生活片段。