如果你没准备好流血,就别奢谈什么自由与尊严!——马尔科姆·x
黑人在美国的地位不是自我阉割,自我矮化得来的,那是靠抗争得来的,从马尔科姆·x到休伊·牛顿再到黑豹党,黑人也曾团结在一起,赢得了尊严。
美国极右翼非裔领袖马尔科姆·x曾经就批评过黑人:把自己沉浸在无休止的饶舌音乐、篮球、酗酒、贩毒和约炮上,其实是在自甘堕落,黑人因为沉迷这些,素质还不及过去。他们往往以为自己丑陋的行为,夸张的表演是种族自救,但事实上他们根本没有拯救自己,而是陷入白左精心设计的堕落陷阱(黑人会觉得自己只要反白人就成功了,但事实上他们只会越发堕落) 所以作为领袖级别的马尔科姆对黑人的行为深恶痛绝,他坚决批判黑人的堕落与无耻,认为黑人必须自我改造,种族隔离,以及强调黑人不应该把陋习视为光荣。今日黑人所谓的平等——不过是白左廉价的施舍,当他们收回,你一无所有。你以为你在NBA赛场,饶舌说唱上的成绩就是黑人的成就吗? 马尔科姆经常经常开办黑人学习班以及黑人餐厅,建立了IFOX(伊斯兰果实)等,号召黑人自食其力,自我救赎,并且他最终是以回到非洲为目的地的,或者像海地一样独立建国,强调黑人应该重返非洲,而不是留在别的世界做寄生者。
在种族问题的背后,马尔科姆·x作为演说家与政治家,拥有高超的演讲艺术。他在主张黑人白人完全的种族隔离以及回归非洲等课题之外,他不认为黑人应该堕落无耻,不能沉迷于嘻哈、篮球以及说唱这些没什么技术含量的工作。 马尔科姆·x坚持认为黑人也应该独立自强,他一方面要求大学开设非洲历史和语言课程,讲解非洲诗歌以及小说以及历史遗迹和文明;另一方面马尔科姆·X也在海外访问,与恩克鲁玛等非洲国家领导人会晤,推动全球黑人大团结。 马尔科姆用伊斯兰教改造黑人,建立了FOL(伊斯兰果实)的组织,改造过去作为混混的黑人,要求他们勤恳工作,奉行正义与宗教禁忌,号召信徒勤俭朴素、诚实劳动、避开毒品烈酒。同时他还开办餐厅等为黑人创造工作实体,强调纯粹黑人种族主义,主张与白人全面隔离,不通婚,不合作。如果能在美国建立独立的黑人国家最好,否则就回到非洲建国。 马尔科姆对海地国父杜桑·卢维杜尔、教育家布克·T·华盛顿等非常推崇,他认为黑人就应该具有实干精神,勤奋刻苦,自己创造自己的生活,不靠白人施舍。我很喜欢马尔科姆,他也是我唯一认可的黑人。
丹泽尔·华盛顿对马尔科姆的塑造非常经典,描写了一个混混出身的人,如何变成了一个正直的人,一个领袖,一个君子。他接触伊斯兰教后痛改前非,革除自己一切陋习,成为了一个高贵优雅的人,据曾经与马尔科姆接触过的人说,他就像一头黑色的猎豹一般,高贵优雅又充满了恐怖,毫无疑问,丹泽尔·华盛顿演活了这个领袖。
马尔科姆x是个很具有争议的人,对于黑人平权运动,他无疑是个永恒的丰碑。不过他到底还是比较幼稚与自负的,这是黑人的通病。所以他只是个插曲,我认为他晚年才是真正的回归,看清虚伪。
有一首歌,在全世界范围内有很多版本,这首歌被无数国家的人民广为传唱。究其原因只有一点,它点破了一个谎言,唤醒了太多的人对于自己的认识。并引导他们开始了反抗的进程。这首歌就是《国际歌》。《国际歌》里面有一句“从来就没有什么救世主,也不靠神仙皇帝,要创造人类的幸福,全靠我们自己”。这是一句很直白的话语,它一阵见血的戳破了宗教对于人类统治几百年上千年的谎言。最终引导人们用自己的力量解放自己。因此,这句话受到太多人的追捧。
一个人从愚昧无知到获取知识成为一个文明个体,这个过程显然是非常复杂的,然而当他最终从无知走向文明,却依旧没有改变自己的初衷的时候,毫无疑问呢,这个人是伟大的。而这个时候,保持初心的这个人最终带领更多的人觉醒,那么这个人的功绩,伟大一词便也难以形容。
今天给大家推荐的这部电影,说的就是一个伟大的人,他做了一些伟大的事情,这些伟大的事情最终没有成功,但是更多的人们却记住了他,知道了他在做什么,为了什么。本片名叫《黑潮》,看到这个词语,很多人会想到一个名字,那就是马丁路德金,本片中的主人公做的是与马丁路德金同一件事情,不过他采取的方式不同。他真正的将美国黑人组织了起来,并准备发动斗争。
《黑潮》是一部讲述美国民众中的黑人们觉醒的故事,本片主人公马尔科姆X是一个历史上存在于美国的黑人民族运动领袖。他跟马丁路德金是同一个时代的杰出的民运代言人。在美国民间一度有“南有马丁路德金,北有马尔科姆X”的传闻。然而他的结局很遗憾,跟马丁路德金一样,他最终被暗杀,然而比马丁路德金更甚的是,暗杀他的则是他曾经信奉的宗教首领。
《黑潮》这部电影说的就是马尔科姆的生平。他死后的几十年内,他的事迹逐渐的被人们所遗忘,对于后世来说,很多人只记得马丁路德金却忘记了这个跟马丁路德金同时代的民运领袖。原因也很简单,马丁路德金崇尚非暴力不抵抗,而马尔科姆X崇尚的则是暴力革命。孰优孰劣一眼便清楚,尤其是经历了几十年美国普世价值观的洗礼之后,全世界对于这个人物的生平就更加地淡忘了。然而铭记的人永远在铭记,他们知道马尔科姆X是一个什么人,同样知道他的初心。
这部电影很长,有200多分钟,然而对于这样一位民族领袖来说,这显然不足以完全的展现他的生平。影片中有所取舍,最终呈现给我们的则是一个丰满的形象。通过这部影片,很多人大概知道了马尔科姆阐述的思想的核心以及如何对于这种思想进行保卫,并最终能做什么。而他的生平做的最重要的一件事情并不是与自己所崇尚的伊斯兰教决裂,而是用自己的人格魅力,将原本一盘散沙的黑人们团结动员了起来,这是最重要的事情。
为什么说这样的事情最重要,我们可以看看哪些举国动员团结的国家或者是团体最终取得的成就,我们国家自不必说,二战时候的苏联,二战时候的盟军,以及越战时候的越南民众们,他们都有一个显著的特点,在面对外来力量的时候,自身做好了团结,自己本国的人民团结起来拧成一股绳。然后共同抵御外来入侵。这样的民众的力量毫无疑问是非常强大的。因此,他们依靠团结,最后都赢得了斗争。
马尔科姆X做的最重要的事情就是团结了太多的美国黑人,且告诉给了他们活得自由的唯一方式。对比同时代的马丁路德金以及在本片中出镜的纳尔逊曼德拉以及在全世界广泛获得好评的甘地等人。毫无疑问,在马尔科姆X死后,在美国主导的国际舆论中,他本质上不受重视且得不到较全面评价的根本原因就显露无遗了。
美国人更妥协的人,喜欢不抵抗就投降的人,喜欢主动自废武功的人,对于那些崇尚暴力革命,发现根本问题的人自然不会受到推崇和欢迎,他们对于马尔科姆X如此,对于全球范围内的共产主义运动依旧如此。
当然,自救的本身就是相信自己,并用自己的力量来进行斗争,本片中的马尔科姆X一开始相信的是宗教,然而宗教最终的高层却用事实告诉他,所谓的宗教高层都是政客的化身,他们所做的一切并非都是为了理想,更多的则是为了统治地位,同时带给自己更多的获益。马尔科姆X及时的发现了这样的核心,然后脱离了这个罪恶的地方,并开始了自己独立的斗争。了解这一切,再去听《国际歌》确实是句句箴言。靠山山倒,靠水水流,真正能解放我们自己的,唯有我们自己。
……
你好,
“Malcolm X”, Spike Lee’s first ever biography picture depicting the tragic yet legendary life events as well as the long-lasting legacies of the historic black activist/leader with the same name, who is apparently being dubbed to be one of “the most influential figures” during the Civil Rights Movement Era alongside with Martin Luther King Jr., although oftentimes not as critically well-acclaimed in terms of political reputation compared to King, due to a lot of his controversial approaches and emphasis which were much different from King’s “endorsements of non-violence”, which he instead proposed the specific idea that “ways of violence would sometimes be needed as means of self-defense”, and because of this and many other seemingly radical statements that were being suggested out, was inevitably misinterpreted and misunderstood by not only white folks within the general public, but as well as by his own racial peers or racial group of people, and was indeed constantly deemed an out-cast throughout his political campaign career, as “someone who was promoting the ideas of hatred and violence towards white Caucasians”, or which was that of the case of one-sided depictions that was being repeatedly reported and carried out by many different media outlets out there, at the time/during the particular time period.
In this specific essay, I’m going to further discuss as well as talk about another exceptionally legendary and world-renown civil rights activist figure coming from yet another corner of the world, who happened to appear within one particular scene towards the near-end of this specific film, whose appearance during the entire movie, although only for a brief few minutes, makes everything that was being presented surely more interesting as well as memorable. South African activist Nelson Mandela, who seemed like he was acting in a school instructor/lecturer position within a local South African primary/elementary classroom setting that way, where the classroom was apparently filled with plenty of school-aged children, and, where none of those selected child actors were actually being white Caucasians (by possibly obeserving and telling from the looks, outward appearances and basic skin tone complexions of them), but rather all of African descent, hinting/suggesting it was probably from a time period still during the so-called “Apartheid” racial segregation era within the country itself. After the specific shot of several couple kids quickly standing up and shouting out loud the immediate catchphrase of “I am Malcolm X!”, Mandela, standing in front of all of his students, with his own voice firm and steady, loudly yet proudly stated out the following lines, and no doubt that they surely came from the very deep bottom of the particular civil rights leader’s heart, as he would find himself nodding his head to and aligning with these words once coming out of Malcolm X’s mouth there : “As Brother Malcolm said, we declare our right on this earth to be a man. To be a human being. To be given the rights of a human being. To be respected as a human being, in this society, on this earth, in this day, which we intended to bring into existence”, and then the statement itself was rapidly followed after by the last ever line of the whole entire filmwork, which is - “by any means necessary”, while showing the actual historical footage of Malcolm X making the speech during one of his past advocacy gathering rallies, which by this point basically wraps up the entire ending of the whole movie there, with the general credit rollings coming right after that. It is indeed notable/note-worthy that, although being as black civil rights leaders/activists from two separately/individually different countries - South Africa and America, which both also happen to share the specific similarity of being nations with long past histories of facing/dealing with white colonization, the historical circumstances and situations which Mandela himself had to face within his own country, may not be that different from Malcolm X’s, after all. “Aparthied”, which is a Afrikaans (localized South African language/dialect) word/term meaning and standing for “apartness”, by literal definition in English equivalency/translation, is indeed in its very essence, simply yet another form of the political policy of “Racial Segregation” mainly focusing/aiming at the intentional separation of parting blacks from whites within the general societal environment of South Africa, which was by all means, in many ways undeniably similar to the general societal situations/cicumstances which continued on during Malcolm X’s generation back in time within the States. It would be safe to say that generally speaking, in a larger sense, similar societal environments would usually result in similar life experiences of human beings living/residing within the world themselves, no matter whether if these supposed experiences would be that of good or bad, negative or positive; Thus, in yet another sense, it would probably also be absolutely/totally true to conclude that, on this particular matter, Mandela and Malcolm X would also undoubtedly happen to share a deeply profound bound, common symphysis, empathy, and/or resonance, as well as extraordinary internal connections with each other (no matter if spiritually or mentally), since both men are driven by ultimately similar greater goals/aims/ambitions in nature throughout each of their seperate life paths.
The historical episode/chapter of the specific “Apartheid Era” within South Africa in almost any sort of way deeply connects to the “Racial Segregation Generation” within the United States, as it is obvious and no secret that as human beings, our fates as well as destinies are indeed oftentimes interwined as well as deeply connected with each other in subtle and covert manners, whether we would come to realize that or not. So, as a matter of fact, it would be an extra important mission here for us all to gradually learn to how to fight/combat alongside with each other’s shoulders and be able to support each other throughout the process that way, almost like war-time comrades in a sense, just like how Nelson Mandela and Malcolm X were each continuously keeping on doing, instead of fighting/combating against or turning our backs on each other, for this is the only possible way here in order to reach ultimate social justice as well as societal equality for all folks out there, as collective human beings living on this earth. After all, individual power/strength may be small and limited in potential influences or generalized impacts, but once combined altogether that way, the actual result from it could be something that is ever lastingly unignorable, and definitely not to be underestimated.
前半段小混混成长史在斯派克·李花哨的叙事下呈现出了别样的魅力,大量被打碎的时间线,剧情进展的快节奏,夸张的人物造型和连珠炮语速都让这部人物传记有它自己的特色在,而X出狱后的段落则用了比较成熟的手法,振聋发聩的演讲颇具纪实感,也让观众体会到宗教领袖对教徒的侵略感,由此可见李说的不仅仅是种族歧视,还有宗教狂热所导致的问题,X的结局就是个警示。
相比马丁·路德·金,Malcolm X更强硬,所以更容易被干掉。改信伊斯兰这招真的很聪明,从根上颠覆。影片融合了很多形式,比如第一部分的夸张舞台式,以及很多新闻片段。结尾有个小彩蛋,一群戴着X帽子的黑人明星,包括乔丹、约翰逊等等
6分。摄影没得说,光影效果真的很棒。内部矛盾怎么产生的没有交代清楚,整个叙述平铺直述,没有高潮。
真是对斯派克·李无语 冗长 说教 心理活动表达方式low的不行 稍微有一点点反思性 这么激进的人又是宗教人物,不多说点什么?前史介绍一个小时基本都是无用的,对后续人物成长有半毛钱关系吗 那黑人群体之间就没有理念冲突?啥都没讲出来,无语
一个主张强硬维护权益的黑人领袖,非常漫长的电影,囊括马尔科姆X的一生,说不上对错,但愿可以拥有更少的争端。导演是斯帕克李,尼克斯的死忠...
华盛顿背了那么多场演讲戏,辛苦了,他的念白厉害。最后还把曼德拉拉过来站台。一部三个多小时体量的片子,做的紧凑,三大段鲜明,风格上也有变化,一是爵士时代的世情犯罪,弱光多镜头晃,整体轻浮;二是狱中入道到掀起风浪,风格沉稳开始偏冷色调;三是宗教内乱朝圣鉴真,乃至殉道,独立电影风格更显
DenzelWashington真的不演烂片。。这部片子也算是美国黑人民权运动的一个里程碑了。SpikeLee的洞察力可以说和WoodyAllen不相上下。最后曼德拉居然也来客串了……本片是Martin Scorsese's top 10 films of the 90's
根据美国黑人民权运动领袖马尔科姆·X的自传改编的传记长片,既与史实基本相符,又毫不枯燥,生动可感,展现了马尔科姆·X从混混罪犯到激进黑人伊斯兰组织演说家、再到经历彻悟褪去锋芒并遇刺殉道的个人生涯。丹泽尔·华盛顿本身就与马尔科姆外貌相近,加上无懈可击的表演(柏林影帝与奥斯卡影帝提名实至名归),感染力十足——即使你不大认同他的主张与演说,也不由得为他的口才、激情与真诚而折服。斯派克·李的导演功力也足够强大。三个部分剪辑得都很流畅抓人,如第一幕的闪回穿插(不断复现的雨夜火车场景)、第二幕监狱戏的快速铺陈、演讲时在彩色影像与黑白画面(肯尼迪葬礼与马尔科姆在记者包夹下的坦诚而引起轩然大波的回答),以及遇刺前的放缓节奏处理。布光与运镜很风格化,金黄色高光回忆、天旋地转与俯拍摇移。俄罗斯轮盘赌+1。(8.5/10)
对于Spike Lee,我实在喜欢不到点上去,但又喜欢这样的小老头
从街头混混到精神领袖,最后被自己曾相信的极端宗教主义所杀害,这人生也挺讽刺的。最后连曼德拉都请过来谈人生谈理想了,过于纯粹的政治翻案反而让人感觉有那么一点不真实,但看得出这是导演Spike Lee至今为止最动情的一部片子了
马尔科姆的'X'代表的是美国黑人被抹去、被歪曲的历史,而史派克.李想要强调的就是马尔科姆如何通过学习和斗争让非洲美国人了解了这段不为人知的历史。可惜的是,无论是黑人领袖马尔科姆,还是导演史派克.李本人,都错误进入到“模仿史学”的领域,因为,从影片的叙事来看,他无法让人了解到“非洲美国人”这一概念的文化意义和精神内核。由大量的文献和考古资料得出错误的结论,大多是由于“观念”的问题。对于黑人来说,这个观念是'stay black'。保持黑色的基础应该是学习和传播知识,这是马尔科姆不及马丁.路德.金的原因。历史的核心是由文化和思想所构造,而不是单纯的政治和疆域,学习历史,比对文献及考古资料,训练的是人的思维方式,而不是凭一己之力获得“力求客观”的“史实”。时势哪能造英雄呢,时势造出来的多是怪物。
第65届奥斯卡金像奖最佳男主角提名
Malcolm X在狱中转型期间被训诫要「戒肉戒色」, 这一幕李教授拍得相当轻快,但猪肉和white women在表述中被并列为white men的所有物实际上是电影中相当重要的一环。NOI要求把白人女性和猪肉视为同「物」是为了塑造出一种能与白男抗衡的US Islamic Black masculinity(同时洗白领袖的同性恋传闻?),但也间接导致了黑人族群间的无差别厌女。一个把异族女性当块猪肉的人,很难不对着妻子吼「别在老子家里大声说话」,当然在这一部分负面内容李教授呈现得就比较矜持了。21.7.16补充,X遇害后,跪下让X枕着她腿的是活动家河内山百合子,李教授给改成了他太太(亚裔的隐身)
三个多小时,要看你讲平权还要听你“讲耶稣”……我是不行了。
今天是马尔科姆X遇刺50年纪念日,能通过这跌宕起伏又振奋人心的200分钟回溯他短暂的一生,真是非常棒。和金不一样,X是伊斯兰,并认为黑人应该拿起武器保护自己,学会团结自爱之前不接受其他族群的施舍——或许这也是他为什么没有得到金那种历史形象吧。但,看看这部电影吧,他一样伟大
黑人领袖马尔科姆·X的信仰之旅,如果宗教引领着他走出迷途的人生,那么他所践行的无数信仰的论辩也随着宗教上的背叛而失效。一个理想主义者混沌后的醒悟,理想成了被利用、被玷污的集团利益的护身符。马尔科姆最后更像是用迎接死亡高姿态去摧毁那些伪善的权力和信仰。马尔科姆的“不惜一切代价”远比它本身复杂、困难得多,在诡谲的历史阴云中,被掩盖着的是人的伟大。
马尔科姆的激进类似今日被污名化的极端女权,是不够了解或不去了解而傲慢的妄下结论的产物,你真正去掰开她他们的心看看、感受感受,她他们是强大的、系统性的压迫之下的刺猬,紧张的竖起浑身硬刺,目标却只是简单而善良的平等自由罢了,比起扔燃烧瓶的kkk、当街杀妻的厌女男人,她他们极端在哪激进在何?所以,不要着急忙慌的割席,要懂得求同存异
除夕当天跨年夜看完,因为爷爷的病情,一整天都郁郁寡欢,倒是符合了这样一部“严肃”的大戏。知道是好作品,没想到李老头身上是有不少大师风范的,要知道这可是200分钟的电影,却做到了一丝一毫都不拖沓、冗长。Malcolm每一个阶段都有不同却非常贴切的表达方式,又浑又渣时跳跃脱线但却充满着时尚的新鲜生命力的节奏,监狱中转变期慢慢的改变速度也跟着人的成长一起变缓,后期过渡到伟人般的悲壮与意义。观者甚至无需支持或哪怕理解他的立场,便可以完全沉浸到故事中,了解这个到底还是在美国黑人运动中起到了至关重要作用的人物。可以说无论是名人传记类型,还是黑人民权类型,都是数一数二的杰作。丹泽尔·华盛顿,功不可没。而最后最惊喜的,竟然是刺客的扮演者——彼时还是炸鸡哥的炸鸡叔!那么年轻就达成了阴阳秒变脸,杀人不眨眼的功力。
演讲史观何时休 汤姆大叔们 何时收了你们的神通
不懂为什么要拍成一个画风花里胡哨、好像歌舞片一样的东西,弱化了马尔科姆x实际非常惨烈的生平。同时对他性格的复杂度呈现得也不够。就很两头不靠。