//ww2.kqed.org/pop/2014/04/29/felicitys-ben-or-noel-conundrum-how-the-side-you-took-predicted-your-entire-love-life/Felicity’s Ben or Noel Conundrum: How The Side You Took Predicted Your Entire Love Life
By Meghan Lewit
There’s a rather famous deleted scene from the film Pulp Fiction in which Mia Wallace quizzes hit-man Vincent Vega on whether he’s a Beatles man or an Elvis man, whether he prefers The Brady Bunch or The Partridge Family, and other character-defining questions. “My theory is that, when it comes to important subjects, there’s only two ways a person can answer. Which way they choose tells you who that person is,” she states.
I’ve always found this to be a profoundly wise observation. My own cultural litmus test revolves around the love triangle at the heart of the late ’90s college drama Felicity. Or, more specifically, Ben or Noel?
The show, which first aired on the now-defunct WB network in 1998, starred Keri Russell (currently kicking ass on The Americans) as a good girl who thwarts her parents’ expectations by following her high school crush to college in New York City. (Also worth noting, Felicity was the first foray into television for a then-unfamous J.J. Abrams.) The show became a watershed cultural moment for me — partly because I was, at the time, at home in Illinois plotting my own escape to an East Coast university, but mainly because Felicity cemented my attitude toward romance for my entire adult life.
As heroines go, Felicity wasn’t particularly cool. She studied a lot, clothed herself in an unending parade of giant fuzzy sweaters, and recorded long, embarrassingly earnest messages to her absent friend Sally on a voice recorder. For a smart girl, she made the dubious choice to follow an 18-year-old boy across the country. But viewers who saw themselves in Felicity understood that the move to New York was about much more than a guy — it was about making a brash stab at independence, about carving out a place in the world where her uncoolness and her romanticism and penchant for oversized wool could flourish. In her insane, ill-considered moment of bravery, Felicity became the patron saint of nice girls who got good grades, followed the rules and more or less listened to their parents, and sometimes wondered what the hell it was all for.
And in the halls of the fictional University of New York, she found love in the form of two appealingly floppy-haired choices: Ben Covington (Scott Speedman), the mumbly, emotionally inscrutable crush she followed to college; and Noel Crane (Scott Foley), the charmingly geeky, nice-guy resident advisor. Although the Felicity love triangle came along before fans identifying themselves as “Team X” or “Team Y” had entered the vernacular, the Ben vs. Noel question became the basis of a four-season love triangle, the outcome of which can still spark heated debate among those who came of age at the turn of the millennium.
As Felicity Porter felt like my fictional spirit sister back in 1998, so her love life has provided the framework of a theory that has guided my beliefs about romance for the past 16 years: that every straight woman in the world is either a Ben-girl or Noel-girl.
Noel established his good-guy cred early in the show when he became Felicity’s confidante and Boggle partner. In the pilot, when Felicity is close to throwing in the towel on her New York adventure, he makes an endearing plea for her to stay:
Photo: FanPop
Photo: FanPop
“You’ll be the fancy doctor, with the fancy practice. You’ll be married and you’ll have like four phone lines in your home. And then, boom, it’ll grip you like a blast of freezing cold air. You know, ‘what the hell is my life?’ And you’ll be able to trace it back to this instant…when that geek RA gave you [these] words of advice: stay in New York or perish.”
From that moment we knew that Noel understood her particular brand of romantic idealism, and that he would have her back. And throughout their first season courtship and over the course of the show (with the exception of an out-of-character quickie marriage and divorce to the Doritos Girl in season 3), he remained a steadfast presence in her life.
The Noel/Ben choice reached its most dramatic climax fairly early in the show’s run, at the end of the first season when Felicity has to choose between spending her summer break in Germany with Noel, or on a cross-country road trip with Ben. The season ends on a cliffhanger with Felicity — in slow motion of course — getting into a cab en route to an undisclosed destination.
“I didn’t have to make a decision between Ben and Noel,” she tells Sally in voiceover. “But I did.”
A decade and a half later, it’s not a spoiler to report that she chose Ben, and that in season 2, just a couple of episodes into their nascent romance, he broke her heart. This event launched the infamous hair chop, and a series of forgettable romances with randoms until Ben eventually wins her back by tracking down a copy of the movie that had been playing when he stood her up (Charlie Chaplin’s The Gold Rush). In his most swoon-worthy moment, he describes the film canister as a time machine that would allow them to rewrite their history.
Photo: Tumblr
Photo: Tumblr
And that was the trick with Ben. He wasn’t a bad guy. He wasn’t cruel or dismissive, although he could often be thoughtless. He was a little too good looking; a person for whom things had always come a little too easily. He was someone we have all known, and probably dated at some point. Even in the midst of their on-and-off coupledom, he remained, on some level, tantalizingly unavailable.
“You want something with me, but you’re not strong enough to have it,” Felicity tells him at the beginning of their relationship.
She had a point because in the fourth season — after Felicity and Ben have graduated and moved to Palo Alto together for grad school — Ben cheats. This earnest and heartfelt drama then takes a bizarre turn into the supernatural when Felicity’s former roommate, Meghan, casts a spell that allows a devastated Felicity to travel back in time and live out an alternate reality where she chooses Noel instead. The storyline, which is just about as absurd as it sounds, sets off a sequence of events that results in Noel’s tragic death in a fire on campus, but Felicity is ultimately able to make things right by reversing the spell and returning to her life with Ben.
It’s a deeply unsatisfying conclusion to a show that had dealt so thoughtfully with the college experience. At the end, we’re supposed to accept that she made her choice not necessarily because it was the right one, but because choosing Noel would directly lead to his untimely demise.
But the fact that the Ben/Noel question still lingers is a testament to the viability of both characters. Unlike some other notable pop culture love triangles involving young people, Felicity’s choice never felt like a foregone conclusion. (By the end of their runs, was there anyone left who was still hoping that Joey would choose mopey Dawson over Pacey; that Katniss would pick volatile Gale over gentle Peeta; or thought there was a chance that Bella would end up with the werewolf instead of her creepily possessive vampire beau?) Felicity, for all its ’90s trappings, holds up as a contemplative and authentic portrayal of the coming-of-age experience and the choices that it presents. The power of the Ben/Noel divide was that neither felt like a plot device, but rather a choice between two valid real-life archetypes: the nice (albeit somewhat predictable) guy who adores you, or the soulful sort-of bad boy you’ll never be quite sure of.
It’s also important to note that the choice between Ben and Noel has less to do with the guys themselves than it does with the girl doing the choosing. Each type has its own distinct appeal, perhaps depending on where a woman is in her life. A Ben who seems irresistible at age 20 may feel like more trouble than he’s worth at 30. A friend of mine recently noted that, if she were going to write a memoir of her dating life, she’d title it: Too Many Bens, Not Enough Noels.
Although a staunch Noel devotee, when I rewatched the entire show recently, it was easier for me to understand the Ben appeal — possibly because I’m less self-serious about love now than when I was 17. Still, when I reached the end of the series, I had to conclude that my fundamental preference hadn’t changed. While Ben-girls will always crave the challenge and unpredictability, Noel-girls just don’t need that noise.
It may seem like an over-simplification of the vagaries of love and attraction, but some things really are that straightforward. Just like with the Beatles and Elvis, at some point you have to make a choice. You can like both characters — think they’re both cute, admire their overlapping taste in flannels — but no one likes them both equally. And the one you choose says everything about you.
我只看到第二集,但对与FELICITY相似的经历,而心中多了许多酸楚,应为和她也同样一个年龄段,面对自己的未来,继续着自己的计划还是听众父母的选择,很矛盾……但我想我还是最终会选择前者,因为那是我自己的人生。
但是,我往往很忽视了父母们的爱,其实,我的一个不经意的言行举止都会伤着他们。毕竟他们也是年近半百的人,渴望的是一份温馨。而不懂事的我总是让他们很伤心……其实,我从一个小细胞变成一个人,是他们赐予了我一切,只是,我觉得我应该学会用适当的方式让他们感受到女儿已经长大了。
对父母的爱就像原味奶茶一样,贴心而温暖!
要怎么说呢,整个剧一开篇,谁能想到呢?一个普普通通的毕业场面,只不过点缀了一撇文艺气息和阳光的色调就整个美腻的让人沉醉。尤其是凯丽的那种感觉,金色卷发就像猫咪那种暖洋洋的感觉。凯丽给人一种特自然,舒缓的感觉,再加上她略微有点散漫的嗓音,整个剧简直只用了几秒钟就抓住了我~
所以特别喜欢JJ,一直以为他科幻作品最棒,其实这种言情小文更细腻,更抒情。。。。
随着她的视角,我们看到了Ben,是啊ben,他的样子,再加上那一点隆重而随意坐在草地上写东西的感觉,再听到他写的那些文字,我想爱上ben的那一刻并不只有felicity 了,观众瞬间都了解了她为了ben报考一个大学的冲动了。。。
felicity的感觉,凯丽演的太真了。。自然就好像是她本来一样的。怯懦,不安,对生活感觉细腻,内心温暖善良,喜欢诗意的传达感情,偶尔鲁莽,却又那么勇敢明媚,浑身散发着青春的晨雾。那么美的一个女孩,那种仿佛一伸手就能触摸到的真实感,只能叹服这个人物从编写到演绎到实在太好了!
留着慢慢写~
Keri Russell好可爱~~突然发现这部剧特别冷…配乐很少,大家都是静静地说话,静静地冷…
Ben真是帅啊,笑起来的时候眼睛眯眯的,快要融化了。Felicity真是赞,温和而坚定。
不娶何撩???
最文艺美剧
在我心里几乎完美的首播集,可惜后面还是走了其他美式青春剧的老路,但是气氛一直都是很清新的,一直贯穿全剧的吉他独奏更是不可多得。
看完了估计得难受个几天...不是说她就是我而是我能找到太多太多的共鸣之处 友情爱情和未完成的爱情 大学不就是这样吗 【真是新年的礼物呢真是太幸运了我看了这个
好早看的了 才找到
上半时偷偷看的,Keri Russell笑起来太美了。
这片子在十几年前估计非常经典 但在美剧业如此发达的情况下 我就没有继续看下去的冲动了
和October road、everwood一种感觉,虽然故事设定在NYC,但就是ordinary people的normal life,平缓的流动着。我也是felicity吧。单纯鲁莽的举动,纠结的成长。ps.Noel好像巴拉克...F和N在一起之后就腻了...ps编剧想展现当代大学生可能遇到的种种问题又无奈主角数量有限,所以啥破事都摊上了是嘛。
不是只有爱情能让我们成长。
so moving. 死侍提到的剧,真的经典 ,最爱美剧,没有之一
这个电视剧击中我了。
前4集的感情经历很像我自己。看的时候不自觉的落泪。
女神颜值爆表,但这剧我真的没耐心看下去。
编剧是J·J·艾布拉姆斯(震惊==)98年30刚出头的J.J.相比《迷失》、《危机边缘》、《星际迷航》、《疑犯追踪》、《碟中谍》等等题材居然有如此感性细腻特别的一面,有些难以相信。剧本挺好,略带文艺的讲述着青春、成长与迷茫,细腻温情气质独特,真实又迷人,但15集以后感情线走向有点刻意。Keri年轻时候好可爱,头发果然漂亮,终于理解为什么剪发后收视率雪崩了
Noel真的是好贴心(他们分手的时候心都要碎了),然而后来我也忽然明白了为什么Felicity会迷恋Ben,Ben笑起来太迷人了。
就这男主!满分!
初中的时候HK明珠台每周六下午都会播,必追!这么多年,差点都忘记她了!很喜欢~
求这部剧的原声!我愿意用吉尔莫女孩的全套原声开换!